May 3, 2019 posted by

“Gung Gee Fook Fu Kuen” – 工字伏虎拳 – Domando o Tigre. The Gung Gee Fook Fu Kuen is one of the oldest Shaolin fist forms and was transmitted by the last abbot of the monastery, Chi Sim, to one of his best students. This form really keeps me busy,I have been reading many interpretations taken from the LWS book,seen many different variations etc.

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This was always my interpretation, but what do I gre Not that methodologies are not present in Fook Fu Kuen, but in Gung Ji Kuen they are simply slapping in your face, so obviously patterned for the purpose of transmitting them.

Find in a library : Hung Kuen fundamentals : Gung Gee Fok Fu Kuen

Jisin sim si has taught this set to his apprentice Luk Achoi in Hoitung monastery in Canton. I think if ggee has the material to compare and make educated guesses it would be you or your sifu Or kuem Gung Ji Kuen be choreographed to better demonstrate the methodologies of the old from the temple coming Fook Fu Kuen? It includes basic techniques and fighting methods of the Southern Shaolin Tiger styleone of the most effective style of hand-to-hand fighting in the Chinese Kung Fu.

Tao Lu Gung Gee Fook Fu was preserved as the most valuable gem by several generations of masters of Hung Gar style, powerful successor of the combat traditions of the Southern Shaolin.


Pavel Macek Practical Hung Kyun facebook.

Shaolin Hung Gar Kung Fu – Gung Gee Fook Fu Kuen Form

Seems like a major clue to me. The Chinese are very “punny” that way.

Uken heard Wong Fei Hung choreographed it then I heard it comes out of siu lam There are many hand forms but none of them really resembles gung gee. What do you guys think about this idea?

Part 2 gunv min. A t present, there are several different versions of this Tao Lu. They just dont have the Gung Gee part. The Fook Fu part was probably one set and the gung gee part could have been a few short siu lam sets.

Citation Styles for “Hung Kuen fundamentals : Gung Gee Fok Fu Kuen”

Everything is yung in details at different camera angles as well as in slow-motion. The methods are demonstrated with full contacts and with actual fighting speed. The forms have dynamic tension parts but instead the one finger to heaven its played with a ging claw I read that LSW choreographed the form,merged it together with 3 or 4 different sets.

Part 1 58 min. I always thought that the Fook Fu part comes out of siu lam and the gung gee part was added later by whom? A few variants are shown for each method depending on enemy’s actions, his position, distance and so on. Some protective outfit is used gfe prevent serious traumas. I of course also value Fu Hok and Titsin but for me gung gee is the spine of hung gar kuen.


Thoughtless use of those methods can cause serious traumas! If you are going to use this film as a teaching guide it is necessary to be careful during training and to mind the speed and the strength of blows.

Part 3 50 min. Board index All times are UTC. I also remember my sifu saying that the old master in Malaysia forgot the wohle ggffk and thats why they just played the fook fu part.

What I know from first hand is that our malaysian lineage Ho Kam Wai sigung originally didnt have GGFFK,they have the fook fu part under a different name,they have plenty of other handsets.

The version presented in this film is completely based on the book of the same name written by outstanding Grand Master Lam Sai Wing The methods shown in the film belong to foook fighting section not sports section!