GUMBRECHT PRODUCTION OF PRESENCE PDF

May 3, 2019 posted by

Book Review. Hans Ulrich Gumbrecht,. Production of Presence: What Meaning Cannot Convey. (Stanford University Press, ). With his book Production of. Hans Ulrich Gumbrecht: Production of Presence. What Meaning cannot Convey User’s manual PRESENCE PRODUCTION MEANING METAPHYSICS A spatial. Production of Presence: What Meaning Cannot Convey. Author: Hans Ulrich Gumbrecht. × (60×90/16) hard cover, pp., ISBN 5‑‑‑4 .

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If we form an idea of what this thing may gumbrecyt in relation to use — we attenuate the impact this thing can have on our bodies and our senses. On February 9—10,a conference titled “After Return to Book Page. The father of hermeneutics.

Actually produced a repertoire of nonmetaphysical concepts. In addition, Gumbrecht tries to analyze and to understand forms of aesthetic experience 21st-century everyday culture. Gumbrecht calls for the generation of concepts that would “allow us to point to what is irreversibly nonconceptual in our lives” and makes a case for three of his own: To see what your friends thought of this book, please sign up. Gumbrecht has also written on the spectatorship of sportusing philosophy and the history of athletics to present an analytical perspective on the precise ways sport is consumed and appreciated.

Based on this assessment of the past and the future of literary studies and the humanities, the book develops the provocative thesis that, through their exclusive dedication to interpretation, i.

Interpretation alone cannot do justice to the dimension of “presence,” a dimension in which cultural phenomena and cultural events become tangible and have an impact on our senses and our bodies. Gumbrecht traces the emphasis on meaning and interpretation back to Early Modernitydrawing from Martin Heidegger ‘s concept of “Being” and commenting on the work of many other scholars, including Jacques Derrida ‘s writing on overcoming metaphysics.

From Wikipedia, the free encyclopedia. Intellectual history Tabs Abstract In this book the Stanford University professor offers an original approach to the humanities, combining a review of the theoretical achievements of the last thirty years with a forecast for future research. This page was last edited on 20 Decemberat The quest for presence he is advocating does not imply an obturation of the dimension of meaning fundamental to interpretation: This book is not yet featured on Listopia.

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Living on the Edge of TimeProduction of Presence: Retrieved October 26, Read, highlight, and take notes, across web, tablet, and phone. As an Emeritus, Gumbrecht continues to write, participate in campus life, and meet with students. Shawn rated it really liked it Mar 10, Propose concepts that can help overcome the status of interpretation within the humanities. Gumbrecht was a Full Professor at the University of Bochum from toand from to at the University Siegen, where he founded the presemce Humanities Graduate Program in Gumbreht, which was dedicated to the topic “Forms of Communication as Forms of Life.

He wrote primarily in German during his early career, and in English after moving to the United States in But Ch 3 is worth a read.

I think the chapter entitled “Beyond Meaning Being and presence Are obviously very close. The Cartesian worldview and hermeneutics make it difficult to se what this could be. Space is the primordial dimension in which the relationship between humans and the things of the world are being negotiated.

Production of Presence: What Meaning Cannot Convey – Hans Ulrich Gumbrecht – Google Books

Overall, I recognize much value in Gumbrecht’s arguments in part because the religious wisdom toward which his thinking is moving will be better received in the academy if put forth by a secular mind and I foresee myself referring back to this work in future scholarly discussions of art. Interpretation alone cannot do justice to the dimension of “presence,” a dimension in which cultural phenomena and cultural events become tangible and have an impact on our senses and our bodies.

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Hans Ulrich Gumbrecht

Larissa Andrioli rated it it was amazing Dec 25, It also implies an element of violence, and importantly, requires a certain loss ot control, or serenity and composure Gelassenheit to be experienced. Power Point prpduction Heidegger and Merleau-Ponty. Reflections by an old man pictured on cover on the limitations of language. Production of Presence is a passionate plea for a rethinking and a reshaping of the intellectual practice within the humanities.

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It offers a personalized account of some of the central theoretical movements in literary studies and in the humanities over the past thirty years, together with an equally personal view of a possible future. Ein neu zu erkundender Kontinent”.

Production of Presence: What Meaning Cannot Convey by Hans Ulrich Gumbrecht

There are no discussion topics on this book yet. Tabs Abstract In this book the Stanford University professor offers an original approach to productiob humanities, combining a review of the theoretical achievements of the last thirty years with gumbrecth forecast for future research. It is unmistakable that he has hit on a real problem at the heart of the humanities, and that in essence, his reaction is appropriate.

Time and Contemporary Culture. The energy of the crowd, in combination with the other aesthetic and emotional responses evoked by watching athletic aptitude, leads to the range of “fascinations” Gumbrecht incorporates into his method for describing and expressing appreciation for sport.

Intentional Objects for Non-Humans. And is no longer Being. Dec 05, Mj Harding rated it it was amazing. Penetrating things and Body contact, sexuality, aggression, destruction. Retrieved August 13, Playfulness and fiction as concepts that characterize interactions whose participants have limited or no awareness at produftion motivations that guide their behaviour.

From focus upon interpretation to focus upon presence. In Production of PresenceGumbrecht critizises the status of literary study in university settings, arguing that the humanities over-emphasize the importance of interpretation, prseence “the reconstruction and attribution of meaning.

Karli rated it it was amazing Nov 22, Gumbrecht has written extensively on ” Stimmung “a German word also referencing the tuning of musical instruments, but more commonly meaning ” mood ” and as such used by Gumbrecht to indicate the mood or atmosphere of a particular era or gumbercht work.

Gumbrecht’s project is to provide a new mode for exploring and understanding the aesthetic experience of sports spectatorship, or what precisely makes certain athletic moves and plays “beautiful.