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wrote of Descartes’s Compendium musicae,l “and it is a matter of regret that this outstanding musicologist left nothing more comprehensive on the theory of. Author: Descartes, René, Title: Renatus Des-Cartes excellent compendium of musick with necessary and judicious animadversions thereupon / by a. A. COMPENDIUM MUSICAE: IMAGINATION AND MUSICAL PERCEPTION. The Compendium begins with various reflections. “The end [of music] is that it.

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Le origini dell’Opera a Milano Daolmi. Science Logic and Mathematics. In this regard I want to point out that the relation between thought and extension appears compeneium the Compendium as the confession of a supposition.

Category:Compendium musicae – Wikimedia Commons

Carmen Pardo – – Enrahonar: Added to PP index Total downloads 21of 2, Recent downloads 6 months 15 32, of musicze, How can I increase my downloads? This volume presents for the first time a critical edition of the English translation of the Compendiumpublished in by the natural philosopher Walter Charleton. Philosophy of Music in Aesthetics.

Finally, I propose an alternative interpretation of Cartesian dualism and of the role of musical theory in Cartesian philosophy.

Jorgensen – – British Journal of Aesthetics 52 4: Dale Jacquette – – Philosophy and Theology 9 Firstly, I try to comprehend the compendikm as a theory of music based on the nature of sound.


In this paper I will expose the contents of the Compendium musicae in the light of the Cartesian philosophy. Request removal from index. Interactionism in Philosophy of Mind. Also included are the unpublished manuscript treatises written by Nicolaus Mercator and Isaac Copmendium developing similar ideas to those in the Compendiumand the printed remarks of William Brouncker which appeared with Charleton’s translation.

Musicae compendium

Privacy Policy – Terms and Conditions. Manabu Nasukawa – – Bigaku 50 2: The volume convincingly demonstrates the eminent role music theory played in the development of sciences Zentralblatt MATH Setup an account with your affiliations in order to access resources via your University’s proxy server Configure custom proxy use this if your affiliation does not provide a proxy. Aristotelian and Cartesian Logic at Harvard: El ritmo de las pasiones: Find it on Scholar.

Author information Open Access Our Partners. Angel Gabilondo – – Enrahonar: Regulae Ad Directionem Ingenii.

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The “Compendium Musicæ” of René Descartes: Early English Responses

With the Text and a Transl. Musique, chant et psalmodie McKinnon.


Vie et oeuvre de Carlo Farina Bianco. Edit this record Mark as duplicate Export citation Find it on Scholar Request removal from index Translate to english Revision history. Modern Western Musica c. Descartes’ Lumen Naturale and the Cartesian Circle.

It was translated into English, French and Dutch before the end of the century — though its idiosyncratic geometrical approach to music drew criticism as well as praise — and its sophisticated mathematical thinking attracted a number of later scholars to explore its ideas further in print or manuscript.

Le role du sensus dans le Muslcae musicae de Descartes. El Ritmo de Las Pasiones: Sign in Create an account. Between the Ancients and the Aestheticians. The Calligraphy of Medieval Music Haines. To that end, it is important to show the features of the Cartesian philosophy that are already present in the text, such as deductibility, mathematization and mechanism.

Sympathie et antipathie dans le “Compendium Musicae”.