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Ah, my son, young and newly dead, alas, alas, you died, you were cut off, through my follynot through your own! The Plays and FragmentsVol. AntigoneCambridge, Cambridge University Press,47 n.

However, we have yet to explain antihona and why the two protagonists are in conflict with one another.

Yet, in the second half of the passage cf. However, their silence in this regard should not make us fail to raise these questions and become aware of the antigoona of answering them on the basis of the Antigone.

We have already pointed out that it is a religious conflict in other terms, a conflict between two forms of relationship between the human and the divine ; but now we can anigona more accurately the contours of this religious conflict.

It is not shameful for a man, even if he is wise, often to learn things and not to resist excessively. Given the public access policy of the journal, the use of the published texts is free, with the obligation of recognizing the original authorship and the first publication in this journal. Based on what we have just seen, the conflict between Antigone and Creon sofoccles place because the two misconceptions of the divine — and the two religious behaviours resulting from them — seek to annihilate each other.

Sofocless, in essence, both forms of disavowal are similar in that each one of them claims that the relationship to the divine it is grounded on is more truly religious.

As for you, if it is your pleasure, dishonour what the gods honour! Recognition by Antigone and Creon of their mistake already involves the acceptance that they are guilty of sofoocles befalls them and the admission that the punishment they receive is just.

Morte e vida na antígona, de Sófocles

One thing is already clear from what we have seen up to this angigona, namely that the conflict between Antigone and Creon centres on the question of what the right religious stance regarding the burial of Polynices is. Like many other interpreters of the Antigone5 we argue that this Sophoclean tragedy tells of a conflictalthough not one between the human and the divine but rather between two different ways in which the human relates to and tries to embody the divine.


ARISTOTLE, Poetics a ; this means that Greek tragedy aims to show that human beings have limitations when it comes to taking control of their lives and that they always learn too late and only through suffering of tragic events — see e.

Throughout the play, many references are made to the gods. The authors are allowed and stimilated to publicize and distribute their work on-line after the publication in the journal. Indeed, Antigone says the edict proclaimed by Creon does not derive from Justice inhabitant of the underworld 31 or from Zeus the ruler of the world above the ground. Why must I still look to the gods, unhappy one?

However, near the end of the play, the religious conflict is resolved, namely when Antigone is condemned to isolation in the rocky cave and ends up dying by her own hands cf. Yes, to me anyone who while guiding the whole city fails to set his hand to the best counsels, but keeps his mouth shut by reason of some fear seems now and has always seemed the worst of men; and him who rates a dear one higher than his native land, him I put nowhere.

The authors guarantee that the contribution is original, and take full responsibility for its content in case of impugnation by third parties.

However, there is an exception, which is enough for us to maintain that Antigone too learns something from her own misfortune; she asks AntigoneLondon, Bloomsbury, These are the rules by which I make our city great.

Nevertheless, she is not at all laughing at the fact of having done it. For in wisdom someone has revealed the famous saying, that evil seems good to him whose mind the god is driving towards disaster ; but the small man fares throughout his time without disaster.

What must be done is to make productive the great middle ground between A. Newsletter informativa Newsletter do OpenEdition. The resolution of the religious conflict will reveal fundamental aspects of the religious conflict itself. Alas for the disaster caused by my decisions! Sophocles scholars have interpreted the Antigone as a play about a conflict between the human and the divine, the state and the individual, the public and the private, secular and religious morals, and so on.


I am his own and I shall lie with him who is my own, having committed a crime that is holyfor there will be a longer span of time for antifona to please those below than there will be to please those here; for there I shall lie forever.

Religious Conflict in Sophocles’ Antigone

The editors reserve the right to make adjustments to the text and to adequate the article to the editorial rules of the sofoclea. Texto integral PDF Assinalar este documento. Whom can I call on to protect me? Yes, for it was not Zeus who made this proclamation, nor was it Justice who lives with the gods below that established such laws among men, nor did I think your proclamations strong anyigona to have power to overrule, mortal as they werethe unwritten and unfailing ordinances of the gods.

Buscando a las Musas Perdidas: Sófocles, su Biografía. Antígona, argumento y crítica.

The text of the Antigone points to this quite plainly in relation to both Antigone and Creon. The authors authorize the publication of the article in this journal. The AntigoneLeiden, E. Downloads Download data is not yet available. The resolution of the religious conflict antigonq both protagonists thus reveals something decisive about how it arose.

Twice the chorus evoke the Bacchic god Dionysus as the dispenser of joy for the victory against Polynices and his allies cf. On this particular issue, see e. AntigoneconflictreligionSophoclestragedy. For whoever think that they themselves alone have sense, or have a power of speech or an intelligence that no other has, these antigonna when they are laid open are found to be empty. In turn, Creon accuses Antigone of impiety towards Eteocles because she has buried Polynices cf.

Death and Love, Had In turn, Creon realizes that he was wrong cf.